I found the minor project to be one of the tougher projects after completing the premise, the reason behind this is mainly due to the modelmaking as compared to before I was initially doing more character-based modeling is moving on to more environmental based item and designs. the initial design stage and researching wasn't too harsh for me to follow as thanks to Premise only had a general idea of where I want to go with my work, one of the major setbacks I had during the minor project time scale was the cutback of the initial set and what was can be implemented into it so instead of doing an entire street leading up to a singular attic room it was more streamlined down to the bare essentials of what was going to be shown from the book even the eaves that the book mentioned the children going through to get to the uncle's room in the first place. after I had the initial objects modeled mapped out another painstaking process was the layout of the room on which I was quite met
Okay Coyle - I'm just going to come out and say this because I think it's what your client is going to say: I think you risk confusing children with your film - or rather you risk children and teachers simply not recognising it as something useable for their purposes. Rumans is very close 'Humans' - which is unhelpful, because your characters are not human, so why draw similarities? Later you suggest the audience should ask their biology teacher about 'reproduction' but this reproduction is 'Ruman' reproduction not human reproduction, so isn't that another blending of the fictions of your made-up world with the facts of the real world? I need to ask a simple question I guess - when and how do you imagine a teacher using your film and what do you think are the risks of a child using your film to revise from in preparation for their GCSEs?
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