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  1. OGR 01/03/2019

    Hey Coyle, so I can see here a real effort to plug your specific interest in the animation into a theoretical framework - but I can also detect the effort you're experiencing to make something meaningful happen as a result - so you're bringing these two worlds together but I'm struggling to understand the 'point' of doing so. An example of what I mean (and I don't know the animation, so forgive me) - let's say that the story arc of your animation results in one of the characters undergoing some kind of transformation or change - regarding that transformation, what does it mean - does it contain some kind of value judgement or societal view, and if so, how can you discuss that meaningfully? At the moment, I don't know what your argument is 'for' - or the point it's seeking to prove? An example from something completely different - imagine you were writing about the representation of Disney Princesses - and wondering why it is that they are drawn in similar ways - blonde hair, big eyes, tiny waists etc - a student could look at those elements, and they'd quickly see how 'blonde hair' represents a value judgment agreed upon by culture as 'superior' (but why?) - it's the 'but why?' that is missing from your structure. You're looking for a problem to discuss - an issue that is presented by your choice - an issue that opens your debate more widely and starts to be 'about' society or politics or gender relations or race relations or...

    I think you need to look at your animation and figure out what it is 'messaging' in terms of what we're supposed to think about these characters and their relationships - and somewhere in that 'message' you'll find the 'point' of your argument.

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